Artist.

Actor first. Trained in New York, on Melbourne stages since 2006. Nobody was going to hand him the part he wanted, so he built the room it could happen in. Co-founder of Human Sacrifice Theatre and The KIN Collective, founder of Corner Piece Pictures, director and producer when the work needed one. DOORMAN started on stage, became a film, and when the pandemic shut production down, became a graphic novel. The story refused to die with the budget.

There are two kinds of actors: the ones who want the red carpet, and the ones who want to be in the room where a good story gets told. Mark has always been the second kind. Quiet doesn’t mean small.

Years of being the artist in the room where the deal gets made teaches you exactly where artists get taken.